Like I say, it may be a bit too much for you for now doing the advanced method.but the beginning method I show you will be easy as heck.I promise. The key is to not load them all up with samples on every instrument.you use a module for each instrument and you'll be fine. I only did it showing multi's of EZD for those that may have always wished they could combine kits or kit pieces.but the advanced method I've provided can be used with ANY assortment of drum modules at once. Or, you can run multiple modules of anything you doesn't have to be several EZD modules. However, you'd need to drag and drop your midi grooves into a midi track the way you want them and then use a CAL file to split the notes to tracks this way you'd gain the outs of each track into the EZD device of your choice.
The advanced way I mention in the end of the video, would work the same way for you. The only difference is you now have individual control over the instruments without using the EZD drum module. The basic way I show you in my video, you can drag and drop the same way you always do. You can then either mix a little of the distorted version for subtle grit, or automate the amount of parallel distortion to bring in an entirely new drum sound for specific parts of the song. Lately I've been using Redopter from D16 for this. Examples: delay on the snare, compression on overheads, accenting the kick beater with EQ, reverb on toms.Īnother cool trick once you're doing it this way: add sends to the snare, toms and (maybe) kick tracks and route them to a bus containing a distortion plugin. Kick and snare on their own mono tracks, toms grouped onto a stereo track, and overheads on another stereo track.īeing able to EQ and effect each voice independently opens up a whole lot of new opportunities. I like to split the drums into 4 or 5 audio tracks. That way you retain the convenience of editing a single MIDI track while getting the benefits of treating each instrument's audio independently. You can drive the synth from a single MIDI track but route each instrument to a separate audio output.
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